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6 Martial Art Styles Bruce Lee Used In Movies (& Where To Spot Them)


Bruce Lee created Jeet Kune Do from a wide range of different martial arts – discover the martial arts disciplines seen in Lee’s movie fight scenes.
Bruce Lee would utilize techniques from a wide array of different martial arts throughout his film career. Lee’s legendary status as a martial arts movie icon has its foundation in his childhood, having studied Wing Chun under the tutelage of the famed Ip Man. As an adult, Lee would bring his skills as a martial artist to movies and television, achieving his first big success as Kato on The Green Hornet, before appearing in several kung fu movie hits in his native Hong Kong. Though Lee sadly passed away just before the 1973 release of Enter the Dragon, the film would become a towering martial arts classic.

Lee’s success in martial arts films lies in his deep knowledge of different martial arts forms. Lee would come to the conclusion that no one martial art has a monopoly on combat effectiveness, leading him to research many different martial arts and distill them into his own fighting philosophy known as Jeet Kune Do. With Lee’s emphasis on fluidity and adaptability in fighting, it is no accident that the fight scenes in his movies draw upon techniques found in numerous different martial arts forms, with Lee also using numerous martial arts weapons, as well. Here are the martial arts forms Bruce Lee uses techniques from in his filmography.
7Wing Chun

Bruce Lee’s base art of Wing Chun helped form the foundation of Jeet Kune Do, and Wing Chun elements are a component of Lee’s on-screen fighting style. Wing Chun is especially well-known for its trapping and in-fighting techniques, with the chain-punching of Wing Chun being a renown staple of the art. One prominent display of Wing Chun can be seen in Lee’s fight with O’Hara (Bob Wall) in Enter the Dragon, with Lee crushing O’Hara with traps and short-range strikes. Lee also uses Wing Chun traps and in-fighting strikes in his Colosseum fight with Chuck Norris in The Way of the Dragon.
6Kung Fu (Various)

Lee would also draw from various other forms of kung fu in his creation of Jeet Kune Do, and this too is reflected in the fight scenes of his movies. Bruce Lee is said to have been particularly enamored with Choy Li Fut, Lee reportedly calling Choy Li Fut “the most effective system that I’ve seen for fighting more than one person” (via Bamboo Kung Fu). Some of Lee’s more elongated arm strikes and kicking techniques resemble those seen in Choy Li Fut, which can be seen in fight scenes in Enter the Dragon and Fist of Fury.
Additionally, some of Lee’s kicks in numerous fight scenes also look similar to the long, powerful kicks found in Northern Shaolin kung fu. These include some of Lee’s flying sidekicks in his fight scenes in the climactic fights of Enter the Dragon, The Big Boss, and especially Fist of Fist. With the elements of Choy Li Fut and Northern Shaolin kung fu combined with Wing Chun, Bruce Lee’s on-screen fighting style incorporates both short and long range strikes from various Chinese martial arts.

5Tae Kwon Do
Bruce Lee’s friendships with Jhoon Rhee and Chuck Norris would lead to him incorporating kicking techniques from Tae Kwon Do into Jeet Kune Do. One of Lee’s signature on-screen kicks is the sidekick, with the way Lee uses it drawn from traditional Tae Kwon Do. In many of his fight scenes, Lee either thrusts a sidekick into an opponent from a standing position, or performing a stepping side kick from a greater distance to send his opponent flying. One of most famous examples is seen at the end of his fight with O’Hara in Enter the Dragon, with Lee hurling O’Hara back with a powerful side kick.
4Jiu Jitsu
Bruce Lee is often regarded as a pioneer in contemporary mixed martial arts, or MMA, and his use of grappling techniques from Jiu Jitsu in multiple movies is certainly testimony to this. Lee’s opening fight scene in Enter the Dragon with Sammo Hung is an example of this, with Lee putting Hung into a neck crank and forcing him to tap out with an armbar. Additionally, Lee’s fight scenes with Ji Han-jae and Kareem Abdul Jabbar in Lee’s unfinished movie Game of Death see him use Jiu Jitsu chokes and submissions even more extensively, with both being some of the first grappling-heavy fight scenes in martial arts films.
3Judo
Partially due to his friendship with the legendary “Judo” Gene Lebell, Bruce Lee was also a big fan of Judo and implemented many of its throwing techniques into Jeet Kune Do. Lee’s use of Judo throws can be seen in the aforementioned opening fight scene of Enter the Dragon as well as in Game of Death. In both films, Lee uses Judo-derived throws to counter the attacks of both Sammo Hung and Ji Han-jae, with Lee’s Judo techniques adding a whole different dynamic to his ’70s era martial arts movie fights.
2Boxing
Bruce Lee was a huge believer in the power of Western boxing and made it into an indispensable element of Jeet Kune Do. Lee’s boxing style punches and stance work can very clearly be seen in many fight scenes throughout his filmography, but perhaps nowhere more prominently than in Bruce Lee’s fight with Chuck Norris in The Way of the Dragon. When Lee’s character Tang Lung recognizes the need to be more fluid in his approach against Norris’s Colt, he adopts a boxing-style stance and rhythm for the fight, and uses hooks, jabs, crosses, and uppercuts right out of Western boxing to defeat his opponent.
1Weapons
Aside from the unarmed combat of Bruce Lee’s fight scenes, Enter the Dragon also sees Lee use a bo staff in the movie’s cave fight, with Lee also using a pair of Kali sticks against his legion of enemies in the same fight. However, Bruce Lee’s true signature weapon is the nunchaku. Though Bruce Lee at first hated the nunchaku, he would become a true master of the dual-stick weapon and use the nunchaku in many fight scenes. Bruce Lee’s use of the nunchaku would come to be his mic drop moment in any fight scene, with Lee being instrumental in making the nunchaku a popular martial arts weapon worldwide.

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‘I am officially off the market’: When Margot Robbie revealed she made the ‘conscious’ decision of not dating actors


Margot Robbie revealed her decision to not date actors because of the media scrutiny that came with a public relationship of two high-profile actors
Back in 2015, A-lister Margot Robbie made a declaration that she would not be dating any actors. The actress may have alluded to her fiance Tom Ackerley, who she married the following year in 2016. In an exclusive interview with Marie Claire, she revealed that being in a relationship as an actor herself came with its own set of challenges. She believed that dating someone who was popular would add on to the media scrutiny.

Margot Robbie opened up on why she made a conscious decision to not date actorsTalking to Marie Claire, she claimed, “I am officially off the market.” She then shared the reasoning behind her decision and added, “I made a conscious decision not to date actors.” She continued to explain, “But not because I hate actors. That’s a nasty generalization to make, and that’s not the case. People take such an interest in your love life when you have a profile, it puts a lot of stress on a relationship.”
The Barbie actress continued, “So two people with profiles, I figure it’s just double the amount of scrutiny, and I’d like to avoid that at all costs.” This came after reports of her locking lips with Tarzan co-star Alexander Skarsgard started making rounds. It was reported that she was caught kissing the actor during the Sundance Film Festival.

Margot Robbie revealed she opted for a minimal lifestyle even after becoming an actorIn the interview, Robbie also opened up about how she was adapting to fame. She shared, “I have a normal 24-year-old life. If I were a waitress, I’d probably have the exact same lifestyle. I’d go to the same clubs I go to already, live in the same house with the same housemates, hang out with the same people.”
However, Margot Robbie tied the knot with Tom Ackerley who is an English producer and actor. The duo met on the sets of 2013 movie Suite Francaise where Tom was working as an assistant director. Post marriage, both of them launched their production company LuckyChap Entertainment.

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Monica Bellucci and Tin Burton at lunch in the restaurant in Selci Lama


For All Saints’ Day, the Hollywood star from Tiferno returned to his native Umbria to enjoy a moment of relaxation and then visit his parentsOn the occasion of the All Saints’ Day celebrations, the Hollywood star of Tiferno origin, Monica Bellucci, returned to her native Umbria to enjoy a moment of relaxation and to visit her father Pasquale and her mother Brunella.Flanked by her current partner Tim Burton, she went to lunch, together with about twenty old friends, at the Osteria del Musicista, which has always been her favorite restaurant, in Selci Lama.Menu dedicated to typical dishes of the area, which includes an appetizer with breadsticks lined with coppa, duck in porchetta and grilled pork livers, polenta with wild boar sauce accompanied by the very typical cappelletti in broth.To conclude, a dessert based on fried “ciaccia” with Nutella and roasted chestnuts.
Having paid the bill and greeted the restaurant owner and lifelong friend, Roberto Polchi, Monica brought home cappelletti and broth for a family dinner.

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‘Rocky’ Was Quite Different In His Original Screenplay, Sylvester Stallone Claims


Sylvester Stallone took his friend’s advice on a rewrite of the original screenplay to Rocky. A few tweaks later, he was on his way to major success.
In the new Netflix documentary Sly, Stallone discussed how he initially conceived of the project, which had a much harder edge. In the early version, Rocky was depicted as a “thuggish” character, inspired by Martin Scorsese’s crime drama, Mean Streets.

But Stallone’s perspective changed when a friend read the script and thought the boxer was too cruel for audiences to actually care about him.
Stallone recalled her crying.

“She goes, ‘I hate Rocky. I hate him. He’s cruel. He hits people. He beats them up.’”
Stallone took it to heart, and asked what he could do to soften the character.

“I said, ‘what if you stop short of it?’ Like, maybe he almost did. He could have, that’s his job, but he doesn’t?’ ‘That’d be nice,’” he added. “I said, ‘What if he had a girlfriend or something?’ ‘Yeah, that’s nice.’ So I go back, start writing that: ‘Girlfriend. Nice.’”
$117 million in box office later, a franchise was born.

Stallone also revealed that actor Dolph Lundgren sent him to the hospital during one fight scene in Rocky IV.
“Dolph Lundgren… he pulverized me,” Stallone says in the documentary. “Later that night, my heart started to swell—which happens when the heart hits the chest—and then my blood pressure went up to 260, and they thought I was going to be talking to angels. Next thing I know, I’m in intensive care, where I’m surrounded by nuns, and I thought, ‘OK, that’s curtains.’”
Stallone was in the hospital for nine days following the incident, praying for “one more round.”
“For the first minute of the fight, it is going to be a free-for-all,” Stallone told Lundgren. The Swedish actor joked in a separate interview that all he did was “obey orders,” explaining, “[Stallone] was the boss. I did what he told me.”
Doctors allegedly told Stallone that he received a blow to the ribs that made his heart rattle around in his ribcage, a condition typically seen in head-on collisions. “I did hit a bus, of sorts,” Stallone joked.

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